The Trace of Guglielmo Della Porta on Ivory Works in Spain. The Roman and Buen Retiro Workshops of the Pozzos and an Observation on that of Saint Claude in the Franche Comté
DOI:
https://doi.org/10.3989/aearte.2015.15Keywords:
Ivory sculpture, Guglielmo Della Porta, Jacob Cornelisz Cobaert, Cope, Nicolás Piper or Nicolás de Arras, Pippi, Giovanni Battista & Andrea Pozzo, The Rosset, Collecting in SpainAbstract
The author analyzes the reverberations of the compositions of Guglielmo Della Porta on different ivory works located in Spain of varying chronology and their possible attributions to his known disciplues or contemporaries who worked in ivory, such as Jacob Cornelisz Cobaert, called Cope, or Nicolás Piper de Arras called Pippi. The diffusion of Guglielmo’s models in the workshop of Giovanni Battista del Pozzo during the 18th century is known. Giovanni was the father of Andrea del Pozzo, Director of the Spanish ivory workshop in the Buen Retiro, and so other works are analyzed in this context. Also included in this study are two small reliefs in a collection in Alicante, which originally belonged to a Via Crucis preserved in Boulogne sur Mer, here attributed to a Saint Claude workshop, given that stylistically they can be confused with Buen Retiro creations.
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