On the Anthropomorphic Trinity as Sedes Gratiae. A Graphic Source in Sculpture & Painting: Santa María de Valpuesta & Prado Museum
DOI:
https://doi.org/10.3989/aearte.2015.12Keywords:
Anthropomorphic Trinity, Valpuesta, Miguel Ximénez, IconographyAbstract
Very few representations of the Anthropomorphic Trinity exist. This commentary focuses on two 15th Century examples: a wood carving in the collegiate church of Valpuesta (Burgos, the oldest episcopal see in Castile), and a painting by Miguel Ximénez in the Prado Museum. The análisis focuses on the graphic source used as a model by both sculptor and painter.
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