A propósito del banco del retablo de San Pelayo, del Maestro de Becerril
DOI:
https://doi.org/10.3989/aearte.2002.v75.i298.351Abstract
Después de desmontarse el retablo del Maestro de Becerril y de su posterior traslado a la catedral de Málaga desde Becerril de Campos. Ángulo citó el banco del retablo en la antigua colección Adanero de Madrid. Al tratar del banco subraya cómo el pintor va renunciando a los fondos de oro berruguetescos ofreciendo más amplitud al paisaje y una sensibilidad estética más afín con Juan de Flandes.…
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