Vol. 84 No. 335 (2011)

Articles

[es] Some notes on Federico Barocci’s Nativity in the Prado Museum

Gonzalo Redín

197-210
- PDF
[es] On Bernini’s Christ Crucified in The Escorial: the Cartapesta Crucifixion of Cardinal Sforza Pallavicino

Rubén López Conde

211-226
- PDF
[es] Gabriel del Barco: the influence of a Spanish painter on Portuguese tile work (1669-1701)

Maria do Rosário Salema de Carvalho

227-244
- PDF
[es] Further news on the paintings for the Buen Retiro Palace carried out in Italy (1633-1642)

Mercedes Simal López

245-260
- PDF

Shorter Notes

[es] A new work attributed to Urbano Fos (Arnes, Tarragona, c. 1615-Valencia, 1658)

Ximo Company Climent, Borja Franco Llopis, Isidro Puig Sanchis

261-270
- PDF
[es] A design by Isidro González Velázquez for the Casa del Labrador de Aranjuez in an inlay plasterwork tabletop

Ismael Gutiérrez Pastor

271-275
- PDF
[es] Two paintings by Pieter Crijnse Volmarijn identified in The Hermitage Museum in Saint Petersburg and the Gallery of the Uffizi in Florence

Matías Díaz Padrón

276-282
- PDF
[es] Correspondence between Fernando de Aragón (1644-1713), 8th duke of Montalto, and his agent in Brussels on the manufacture of the tapestry series “History of the House of Moncada”

Margarita García Calvo

283-294
- PDF

Book Reviews

[es] Recensiones y Bibliografía

Benito Navarrete Prieto, Amelia López-Yarto, Alfonso Rodríguez G. de Ceballos, Isadora Rose de Viejo, Margarita M. Estella, Rosario Coppel, Fernando Villaseñor Sebastián, Elena Sainz Magaña, Gaspar Aranda Pastor, Ana Diéguez

295-306
- PDF

Exhibition Reviews

[es] Lamolla, espejo de una época (Lleida, Museu d'Art Jaume Morera)
Polonia, Tesoros y Colecciones Artísticas (Madrid, Palacio Real)
Félix Candela 1910-2010 (Valencia, Badajoz, México D.F., Nueva York)

Joan Robledo Palop, Juan José Junquera

307-311
- PDF

Articles

[es] Some notes on Federico Barocci’s Nativity in the Prado Museum

[es] On Bernini’s Christ Crucified in The Escorial: the Cartapesta Crucifixion of Cardinal Sforza Pallavicino

[es] Gabriel del Barco: the influence of a Spanish painter on Portuguese tile work (1669-1701)

[es] Further news on the paintings for the Buen Retiro Palace carried out in Italy (1633-1642)

Shorter Notes

[es] A new work attributed to Urbano Fos (Arnes, Tarragona, c. 1615-Valencia, 1658)

[es] A design by Isidro González Velázquez for the Casa del Labrador de Aranjuez in an inlay plasterwork tabletop

[es] Two paintings by Pieter Crijnse Volmarijn identified in The Hermitage Museum in Saint Petersburg and the Gallery of the Uffizi in Florence

[es] Correspondence between Fernando de Aragón (1644-1713), 8th duke of Montalto, and his agent in Brussels on the manufacture of the tapestry series “History of the House of Moncada”

Book Reviews

[es] Recensiones y Bibliografía

Exhibition Reviews

[es] Lamolla, espejo de una época (Lleida, Museu d'Art Jaume Morera)
Polonia, Tesoros y Colecciones Artísticas (Madrid, Palacio Real)
Félix Candela 1910-2010 (Valencia, Badajoz, México D.F., Nueva York)

Make a Submission

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Vol. 84 No. 335 (2011)

Articles

[es] Some notes on Federico Barocci’s Nativity in the Prado Museum

[es] On Bernini’s Christ Crucified in The Escorial: the Cartapesta Crucifixion of Cardinal Sforza Pallavicino

[es] Gabriel del Barco: the influence of a Spanish painter on Portuguese tile work (1669-1701)

[es] Further news on the paintings for the Buen Retiro Palace carried out in Italy (1633-1642)

Shorter Notes

[es] A new work attributed to Urbano Fos (Arnes, Tarragona, c. 1615-Valencia, 1658)

[es] A design by Isidro González Velázquez for the Casa del Labrador de Aranjuez in an inlay plasterwork tabletop

[es] Two paintings by Pieter Crijnse Volmarijn identified in The Hermitage Museum in Saint Petersburg and the Gallery of the Uffizi in Florence

[es] Correspondence between Fernando de Aragón (1644-1713), 8th duke of Montalto, and his agent in Brussels on the manufacture of the tapestry series “History of the House of Moncada”

Book Reviews

[es] Recensiones y Bibliografía

Exhibition Reviews

[es] Lamolla, espejo de una época (Lleida, Museu d'Art Jaume Morera)Polonia, Tesoros y Colecciones Artísticas (Madrid, Palacio Real)Félix Candela 1910-2010 (Valencia, Badajoz, México D.F., Nueva York)

Make a Submission

Language

Indexing and quality

Plagiarism Detection Tool

Social Networks

Syndication

[es] Lamolla, espejo de una época (Lleida, Museu d'Art Jaume Morera)
Polonia, Tesoros y Colecciones Artísticas (Madrid, Palacio Real)
Félix Candela 1910-2010 (Valencia, Badajoz, México D.F., Nueva York)