Betting on Joan Miró: the prominent role of Parnassus magazine between 1932 & 1941
DOI:
https://doi.org/10.3989/aearte.2016.18Keywords:
Joan Miró, Parnassus, United States, Surrealism, Dada, Art criticismAbstract
This essay focuses on one of the many means by which the art of the Spaniard Joan Miró (1893-1983) came to be known and understood: Parnassus magazine. It was published from 1929 to 1941 by the College Art Association, and between 1932 and 1941 included many articles explaining Miró’s art. These articles are analyzed here in depth, as they help to comprehend the complicated reception in the United States of tendencies such as Dada, the several modes of Surrealism and Miro´s protagonism in this process. In fact, the strategy used in Parnassus was instrumental for Miró’s triumph in the United State from then on.
Downloads
References
Balken, Debra B. (1986): Albert Eugene Gallatin and his circle, Miami, Universidad.
Balken, Debra B. / Lubar, Robert S. (2002): The Park Avenue Cubists: Gallatin, Morris, Frelinghuysen and Shaw, Nueva York, Universidad y Galería de Arte Grey. PMid:11948964
Ball, Susan (2011): The Eye, the Hand, the Mind. 100 years of the College Art Association, Nueva York, College Art Association and Rutgers U. P.
Breton, André (1928): Le Surréalisme et la Peinture, París, NRF. PMid:20474987 PMCid:PMC2167687
Brown, Milton (1941): "Exhibitions: New York". En: Parnassus, 13, 4, Nueva York, pp. 154-156+158.
Fontbona, Francesc (1998): "La Exposición Internacional de la College Art Association en Nueva York". En: Goya. Revista de arte, 262, pp. 13-16.
Fontbona, Francesc (2009): "Notes sobre la difusió de l'art català als Estats Units". En: Seminari Comerç, Exportació, Falsificació d'objectes d'art, e-artDocuments, 1, Barcelona, Universitat. http://www.raco.cat/index-php/eart/article/view/147791 [Consulta: 13-01-2015].
Frey, John G. (1936a): "Miró and the Surrealists". En: Parnassus, 8, 5, Nueva York, pp. 13-15.
Frey, John G. (1936b): "Dada and Surrealism". En: Parnassus, 8, 7, Nueva York, pp. 12-15.
Genauer, Emily (1937): "All-star Casts". En: Parnassus, 9, 5, Nueva York, pp. 9-12. http://dx.doi.org/10.2307/771836
Lázaro Docio, Jesús (2010): El secreto creador de Salvador Dalí. El método paranoico-crítico (1927-1937), Madrid, Eutelequia.
Le Surréalisme et l'objet (2013): París, Centre Georges Pompidou.
Levy, Julien (2003): Memoir of and art gallery, Nueva York, MFA.
Lubar, Robert (1992): "Miró, Dalí and Their American Critics in 1941". En: Actes dels IV Jornades d'Estudis Catalano-Americans, Barcelona, Generalitat de Catalunya, pp. 27-32.
Lubar, Robert (2005): "Salvador Dalí in America: The Rise and Fall of an Arch-Surrealist". En: Surrealism U.S.A., Nueva York, National Academy Museum and Hatje Cantz Publishers, pp. 20-29.
Mata de la Cruz, Sofía (2011): "La correspondencia entre Walter W. S. Cook y Joan Serra Vilaró 1923-1954. La mirada estadounidense sobre la pintura románica catalana". En: Pérez Mulet, Fernando / Socias, Inmaculada (eds.), La dispersión de objetos de arte fuera de España en los siglos XIX y XX, Barcelona-Cádiz, Universidad, pp.191-216.
Pérez Segura, Javier (2012): Scandal & Success. Picasso, Dalí y Miró en Estados Unidos (El Instituto Carnegie y otros relatos americanos), Madrid, Eutelequia.
Pierre Matisse and his artists (2002): Nueva York, Pierpoint Morgan Gallery.
Pierre Matisse, passeur passionné. Un marchand d'art et ses artistes (2005): Nueva York, Fundación Mona Bismarck.
Rose, Barbara (1982): Miró in America, Houston, Museo de Bellas Artes.
Russell, John (1999): Matisse, father and son, Nueva York, Harry N. Abrams.
Schaffner, Ingrid y Jacobs, Lisa (eds.) (1998): Julien Levy: portrait of an art gallery, Cambridge, The MIT Press.
Singerman, Howard (2011): "Art Journal at Fifty". En: Art Journal, Nueva York, <http://www.artjournal.collegeart.org/7p=65> [13-01-2015].
Sweeney, James Johnson (1935): "Miró and Dalí". En The New Republic, Nueva York, 81, p. 360.
Sweeney, James Johnson (1938): "Carnegie International 1938". En: Parnassus, 10, 6, Nueva York, pp. 13-18. http://dx.doi.org/10.2307/771536
Taylor, Francis H. (1932): "The Triumph of Decomposition". En: Parnassus, 4, 4, Nueva York, pp. 4-9+39. http://dx.doi.org/10.2307/770913
The Societé Anonyme. Modernism for America (2006): Los Ángeles, Museo Hammer-UCLA.
Umland, Anne (ed.) (2008): Joan Miró. Painting and Anti-Painting 1927-1927, Nueva York, Museo de Arte Moderno.
Weisberg, Ruth (1991): "Art Journal at Fifty". En: Art Journal, 50, 4, Nueva York, p. 7.
Wellman, Rita (1934): "Pioneers and contemporaries". En: Parnassus, 6, 1, Nueva York, pp. 11-14+30. http://dx.doi.org/10.2307/770769
Zlotsky, Deborah, (1986): "Pleasant madness in Hartford: the first Surrealist exhibition in America". En: Arts Magazine, 60, Nueva York, pp. 55-61.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2016 Consejo Superior de Investigaciones Científicas (CSIC)
This work is licensed under a Creative Commons Attribution 4.0 International License.
© CSIC. Manuscripts published in both the printed and online versions of this Journal are the property of Consejo Superior de Investigaciones Científicas, and quoting this source is a requirement for any partial or full reproduction.All contents of this electronic edition, except where otherwise noted, are distributed under a “Creative Commons Attribution 4.0 International” (CC BY 4.0) License. You may read here the basic information and the legal text of the license. The indication of the CC BY 4.0 License must be expressly stated in this way when necessary.
Self-archiving in repositories, personal webpages or similar, of any version other than the published by the Editor, is not allowed.
