New data concerning two tapestry series from the workshop of Gerard Peemans: History of Titus & Vespasian and The Months
DOI:
https://doi.org/10.3989/aearte.2014.06Keywords:
Gerard Peemans, Tapestries, Brussels, Fernando de Aragón, Juan Bautista Ysendoren, Charles Poerson, David Teniers IIIAbstract
The author presents new documentation that expands the information concerning two tapestry series woven in one of the most important Brussels workshops, that of Gerard Peemans: the History of Titus & Vespasian and The Months, of which there are practically unknown examples in the Museo del Prado and Banco de España (Madrid), respectively.
Downloads
References
Bauer, Rotrand, Tapisseries bruxelloises au siécle de Rubens du Kunsthistorisches Museum, Vienne et des Museés royaux d’Art et d’Histoire, Bruxelles, 1997.
Blazkova, Jarmila, “Deux tentures des Mois á Prague”, Artes Textiles, 10, 1981, pp. 203-220.
Brosens, Koenraad, European Tapestries in the Art Institute of Chicago, London, 2008.
Brosens, Koenraad, “Revisiting Brussels tapestry, 1700-1740: New data on Tapissiers Albert Auwercx and judocus de Vos”, Textile History, 43, 2012, pp. 183-199. http://dx.doi.org/10.1179/0040496912Z.00000000010
Ceballos–Escalera, Isabel; Braña de Diego, María, Museo del Prado. Legado Fernández Durán. Artes Decorativas, Madrid, 1974.
Delmarcel, Guy, Tapisseries. Baroque et XVIII siécle. Musés royaux d’Art et d’Histoire. Guide du visiteur, Bruxelles, 1979.
Delmarcel, Guy, La Tapisserie Flamande du XVe au XVIIIe siécle, París, 1999.
Delmarcel, Guy, La Collection Toms. Tapisseries de XVIe au XIXe siécle, Lausanne, 2010.
Delmarcel, Guy; García Calvo, Margarita; Brosens, Koenraad, “Spanish family pride in Flemish wool and silk: The Moncada family and its Baroque tapestry collection”, Tapestry in the Baroque. New Aspects of Production and Patronage, New York, The Metropolitan Museum of Art- New Haven and London, Yale University Press, 2010, pp. 284-315.
Flavio, Josefo, La guerra de los judíos, Madrid, 2008. PMid:18755071
Forti Grazzini, Nello, Gli arazzi dei Farnese e dei Borbone, Milano, 1998.
García Calvo, Margarita, “Correspondencia entre Fernando de Aragón (1644-1713), 8.º duque de Montalto, y su agente en Bruselas sobre la realización de la tapicería de la ‘Historia de la casa de los Moncada’”, Archivo Español de Arte, LXXXIV, 335, 2011, p. 285.
Herrero Carretero, Concha, “Tapices flamencos en la colección de la Corona de España”, en European and American Collections. Studies in Honour of Guy Delmarcel, Turnout, 2003, pp.161-170.
Junquera de Vega, Paulina; Díaz Gallegos, Carmen, Catálogo de Tapices del Patrimonio Nacional, Madrid, Patrimonio Nacional, 1986.
Pérez Martín, Rafael, Los tapices de la Catedral de Segovia, Madrid, Universidad Complutense, 1983. Memoria de Licenciatura (inédita).
Ramírez Ruiz, Victoria, Las tapicerías en las colecciones de la nobleza española del siglo XVII, Madrid, Universidad Complutense, 2013.
Reyniés, Nicole de, Charles Poerson, 1609-1667, París, 1997.
Ripa, Cesare, Iconología, Madrid, 1987.
Schmitz-Von Ledebur, Katja, European Tapestries in the Rijksmuseum, Amsterdam, 2004. PMid:15585659 PMCid:PMC535698
Schmitz-Von Ledebur, Katja, “Los Meses, Las Estaciones, Los Elementos, El Día y La Noche”, en Campbell,
Thomas P. (responsable científico), Hilos de esplendor. Tapices del Barroco, cat. exp., Madrid, Patrimonio Nacional, 2008, pp. 246-252.
Suetonio, Vida de los doce césares, Madrid, 1992.
Tácito, Historias, Madrid, 1990.
Vlieghe, Hans, “David Teniers II en David Teniers III als patroonschilders voor de tapijtweverijen”, Artes Textiles, 5, 1959-60, pp. 78-102.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2014 Consejo Superior de Investigaciones Científicas (CSIC)

This work is licensed under a Creative Commons Attribution 4.0 International License.
© CSIC. Manuscripts published in both the print and online versions of this journal are the property of the Consejo Superior de Investigaciones Científicas, and quoting this source is a requirement for any partial or full reproduction.
All contents of this electronic edition, except where otherwise noted, are distributed under a Creative Commons Attribution 4.0 International (CC BY 4.0) licence. You may read the basic information and the legal text of the licence. The indication of the CC BY 4.0 licence must be expressly stated in this way when necessary.
Self-archiving in repositories, personal webpages or similar, of any version other than the final version of the work produced by the publisher, is not allowed.