Miguel Prieto and set design in Spain during the 1930’s
DOI:
https://doi.org/10.3989/aearte.2011.v84.i336.483Keywords:
Miguel Prieto, Set design, Puppet theatre, Revolutionary theatre, Spanish Second Republic, Spanish Civil War, Exile of 1939Abstract
The artist Miguel Prieto (1907-1956) worked in three main areas: painting-drawing, graphic design and set design. The latter was the one in which he demonstrated most interest in avant-garde and political commitment during the thirties, but due to his subsequent Mexican exile, has not been dealt with in recent research. This article, focused on his years in Spain, analyses his contributions to scenic design. Prieto’s first professional period, when he worked for the puppet theatre, coincided with the young Second Republic and then the convulsion of the Civil War. This popular genre was utilized for agitation, propaganda and the revolutionary theatre, and adopted both the classical repertoire and modern works by Alberti, Dieste, Lorca and other committed youthful intellectuals.
Downloads
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2011 Consejo Superior de Investigaciones Científicas (CSIC)
This work is licensed under a Creative Commons Attribution 4.0 International License.
© CSIC. Manuscripts published in both the print and online versions of this journal are the property of the Consejo Superior de Investigaciones Científicas, and quoting this source is a requirement for any partial or full reproduction.
All contents of this electronic edition, except where otherwise noted, are distributed under a Creative Commons Attribution 4.0 International (CC BY 4.0) licence. You may read here the basic information and the legal text of the licence. The indication of the CC BY 4.0 licence must be expressly stated in this way when necessary.
Self-archiving in repositories, personal webpages or similar, of any version other than the final version of the work produced by the publisher, is not allowed.
