Cultura y espiritualidad en la edad moderna valenciana: Juan de Juanes y el ostensorio bifaz de la iglesia parroquial de San Andrés de l’Alcúdia

Borja Franco Llopis

doi:10.3989/aearte.2009.v82.i327.162

Culture and spirituality in Renaissance Valencia: Juan de Juanes and the doublesided monstrance in the parrish church of San Andrés de l’Alcúdia

Authors

Borja Franco Llopis Universidad de Barcelona

DOI:

https://doi.org/10.3989/aearte.2009.v82.i327.162

Keywords:

Juan de Juanes, Christology, iconography, Moriscos, devotional painting

Abstract

Taking as a starting point the paintings of Juan de Juanes for the church of l’Alcúdia, the author analyses the social questions that might have had a bearing on his artistic production, iconography and diffusion in the Valencian sphere. The possible influence of Erasmus, intimist philosophy, the Christology of Eiximenis and the indoctrination of the Moriscos are some of the aspects discussed.

Downloads

Download data is not yet available.

Downloads

Published

2009-09-30

How to Cite

Franco Llopis, B. (2009). Culture and spirituality in Renaissance Valencia: Juan de Juanes and the doublesided monstrance in the parrish church of San Andrés de l’Alcúdia. Archivo Español De Arte, 82(327), 295–303. https://doi.org/10.3989/aearte.2009.v82.i327.162

Download Citation

Issue

Vol. 82 No. 327 (2009)

Section

Shorter Notes

License

This work is licensed under a Creative Commons Attribution 4.0 International License.

© CSIC. Manuscripts published in both the print and online versions of this journal are the property of the Consejo Superior de Investigaciones Científicas, and quoting this source is a requirement for any partial or full reproduction.

All contents of this electronic edition, except where otherwise noted, are distributed under a Creative Commons Attribution 4.0 International (CC BY 4.0) licence. You may read the basic information and the legal text of the licence. The indication of the CC BY 4.0 licence must be expressly stated in this way when necessary.

Self-archiving in repositories, personal webpages or similar, of any version other than the final version of the work produced by the publisher, is not allowed.