Vol. 90 No. 358 (2017)

DOI: https://doi.org/10.3989/aearte.2017.v90.i358

Published: 2017-06-30

Articles

[es] The chapel of Gonzalo de Illescas in the Monastery of Guadalupe: a recovered project by Egas Cueman

Ángel Fuentes Ortiz

107-124
- PDF
[es] Miguel del Prado, retable painter in Valencia. His death in the Germanías Revolt (1521)

Mercedes Gómez-Ferrer

125-140
- PDF
[es] The Ecce homo that Ceán Bermúdez bought for Jovellanos and attributed to Francisco Frutet

Daniel Crespo Delgado, David García López

141-154
- PDF
[es] Estampa Popular de Vizcaya. Artistic creation as an instrument of political action

Alice Cearreta-Innocenti

155-170
- PDF
[es] Art at the crossroads. The reception of the work of the Greek painter Dimitri Perdikidis (1922-1989) in Spain

Miguel Fernández Belmonte

171-182
- PDF

Shorter Notes

[es] The Maiestas of the 1162 Bible of San Isidoro de León in the Museo Arqueológico Nacional (Madrid)

Ana Hernández

183-190
- PDF
[es] Pietro Filippo Bernini, son of Gianlorenzo, and the mediation of the courts of Madrid and Paris for the concession of his prebend in Santa Maria Maggiore of Rome

Margarita de Alfonso Caffarena

191-196
- PDF

Book Reviews

[es] Book review

Sergio Ramiro Ramírez, Fernando Villaseñor Sebastián, Margarita M. Estella, Ester Alba Pagán, Macarena Moralejo Ortega, María Paz Aguiló, Luis Arciniega García, Enrique Valdivieso, David García López, Carmelo Vega, Pablo Allepuz García, Idoia Murga Castro, Juan Albarrán Diego, Miguel Cabañas Bravo

197-212
- PDF

Exhibition Reviews

[es] Exhibition Reviews

Ismael Gutiérrez Pastor, Raquel López Fernández, Manuel Arias Martínez, Idoia Murga Castro, Pablo Allepuz García

213-218
- PDF