Vol. 84 No. 336 (2011)

DOI: https://doi.org/10.3989/aearte.2011.v84.i336

Published: 2011-12-30

Articles

[es] The Last Supper: Velázquez copying Tintoretto

Gloria Martínez Leiva, Ángel Rodríguez Rebollo

313-336
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[es] The spiritual and military zeal of the Franciscan order and the Spanish monarchy in a painting of the Immaculate Conception by Pedro López Calderón

J. Armando Hernández Soubervielle

337-354
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[es] Miguel Prieto and set design in Spain during the 1930’s

Miguel Cabañas Bravo

355-378
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Shorter Notes

[es] The Mystic Marriage of Saint Catherine of Alexandria, the reappearance of an unpublished painting by Zurbarán

Odile Delenda

379-389
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[es] An inusual iconography for Saint Peter Martyr in a panel by Juan Correa de Vivar

Isabel Mateo Gómez

390-394
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Book Reviews

[es] Di Liddo, Isabella: La circolazione lignea barocca nel Mediterraneo, Napoli, la Puglia e la Spagna. Una indagine comparata sul ruolo delle botteghe: Nicola Salzillo. Premessa di Mimma Pasculli Ferrara. Roma, De Luca Editore d’Arte, 2008, 465 pp.,

Margarita M. Estella

395-396
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[es] Books received and bibliography

Rocío Arnáez, Estrella Arnáez

396-402
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Exhibition Reviews

[es] Exposición Antonio López. Madrid, Museo Thyssen-Bornemisza, 28 de junio a 25 de septiembre de 2011

Ignacio J. Urricelqui

403
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[es] Joan Miró: La escalera de la evasión. Londres, Tate Modern, 14 abril-11 septiembre 2011; Barcelona, Fundación Joan Miró, 13 octubre 2011- 25 marzo 2012; Londres, National Gallery of Art, 6 mayo-12 agosto 2012

Paula Barreiro López

404
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