Vol. 82 No. 327 (2009)

DOI: https://doi.org/10.3989/aearte.2009.v82.i327

Published: 2009-09-30

Articles

[es] Concerning Tiepolo’s iconographic sources for the “Teresian Vision” in the Museum of Fine Arts, Budapest

Fernando Moreno Cuadro

243-258
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[es] Matthäus Merian the Younger, painter in Van Dyck’s Studio: On an identified painting of Vertumnus and Pomona

Jahel Sanzsalazar

259-272
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[es] The reception of Italian sculpture during the Spanish postwar period: Eugenio D’Ors and Cristino Mallo

Ana Ara Fernández

273-284
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Shorter Notes

[es] Observations on attributions to Sofonisba Anguissola by Dr. Alfio Nicotra

Maria Kusche

285-295
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[es] Culture and spirituality in Renaissance Valencia: Juan de Juanes and the doublesided monstrance in the parrish church of San Andrés de l’Alcúdia

Borja Franco Llopis

295-303
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[es] The funerary monument of Nicolás Griego Triarchi in the Archaeology Museum, Seville (1634)

Fernando Cruz Isidoro

303-308
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[es] A controversial portrait of Carlos II in Rome

Alvaro Pascual Chenel

308-315
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[es] Observations on the Capilla de San Diego de Alcalá, in Santa María de Jesús de Alcalá de Henares

Jonathan Brown

316
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Book Reviews

[es] Book Reviews

Margarita M. Estella, Elena M. Santiago Páez, Amelia López-Yarto, Isabel Mateo Gómez, Isadora Rose-de Viejo, Miguel Cabañas Bravo

317-322
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Exhibition Reviews

[es] Exhibition reviews

Noemi de Haro García, Idoia Murga Castro, Milena Hajná

323-326
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