Vol. 93 No. 372 (2020)

DOI: https://doi.org/10.3989/aearte.2020.v93.i372

Published: 2020-12-30

Articles

[es] Antonio Trejo and the chapel of the Immaculate Conception in Murcia’s Cathedral (1623-1627). Art, devotion and remembrance

Pablo González Tornel

321-334
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[es] Four drawings by Sebastián Muñoz for La Mantería

Juan Carlos Gómez Aragüete, Teresa Zapata Fernández de la Hoz

335-346
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[es] Courtly artists in the conception of the new throne of the Virgen del Sagrario de Toledo: reviewing topics

Laura Illescas Díaz

347-358
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[es] Francesco Sabatini’s project for the throne room at the Royal Palace of Madrid

José-Luis Sancho Gaspar, Raúl Gómez Escribano

359-374
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[es] Eusebio Lucini, stage designer of the ballets performed at the Circo theatre of Madrid in the 1840s

Laura Hormigón

375-390
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[es] Adela Crooke in two versions: from painting to photography, and vice-versa

Antonia Salvador Benítez, Juan Miguel Sánchez Vigil

391-408
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Shorter Notes

[es] Saint Ferdinand III’s intercession on behalf of Francisco Pacheco: a testimony concerning the Book of Portraits

Adam Jasienski

409-416
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[es] A native sculptor of the Lima baroque: Rodrigo Chafal and his Crucified of The Agony in Copacabana

Rafael Ramos Sosa

417-426
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[es] Preparatory drawings for the sculpture group of the Four Saints of Santa María de Gracia de Cartagena

Ignacio José García Zapata

427-434
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Book Reviews

[es] Book reviews

Ángel Rivas Albaladejo, Elisa Garrido, Mª Isabel Cabrera García

435-438
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Exhibition Reviews

[es] Exhibition reviews

Juan Antonio Sánchez López, Ester Alba Pagán, Roger Miralles Jori, Beatriz Martínez López

439-442
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