First conclusions concerning the cult and iconography of St. James the Great in Rome
DOI:
https://doi.org/10.3989/aearte.2010.v83.i329.410Keywords:
Saint James the Great, Rome, Churches, Historical maps of Rome, Historical guides of Rome, Art, Cult, IconographyAbstract
This article deals with the artistic and devotional topography associated with St. James the Great in the city of Rome based on a study of the churches and pilgrim hospitals under his patronage. An examination of the principal bibliographical and documental sources, especially those concerned with topography and iconography, has led to two aspects that converge: one is chronological, and has allowed us to date the foundation, disappearance, destruction or change of patronage of the churches, confirming a strong development of the cult of Saint James between the Jubilee Year 1300 and the end of the 15th century, and subsequently a rapid decline throughout the 16th century into the first decades of the 17th century; the second aspect is geographical and demonstrates the importance of the basilica of St. Peter, its relics and its pilgrims in the early development of the cult of St. James and then, later, the connection between those hospitals and churches and the pilgrimage to the main Roman basilicas. To this is added a study of the works of art, preserved or lost, relics, processions and other liturgical expressions, completing a study which aims at presenting and overall picture of the subject.
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Published
2010-03-30
How to Cite
Vázquez Santos, R. (2010). First conclusions concerning the cult and iconography of St. James the Great in Rome. Archivo Español De Arte, 83(329), 1–22. https://doi.org/10.3989/aearte.2010.v83.i329.410
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