Las pinturas de la Sala Capitular de la Catedral de Toledo: aportación al estudio de la concepción del espacio
DOI:
https://doi.org/10.3989/aearte.2000.v73.i292.837Abstract
This article is an study about the treatment of perspective of the frescoes in the Sala Capitular of the Toledan Cathedral, Juan de Borgoña's documented work. The conclusion is an important Flemish formation in the Juan de Borgoña's career.
Downloads
Download data is not yet available.
Downloads
Published
2000-12-31
How to Cite
Marín Cruzado, O. (2000). Las pinturas de la Sala Capitular de la Catedral de Toledo: aportación al estudio de la concepción del espacio. Archivo Español De Arte, 73(292), 315–339. https://doi.org/10.3989/aearte.2000.v73.i292.837
Issue
Section
Articles
License
Copyright (c) 2000 Consejo Superior de Investigaciones Científicas (CSIC)
This work is licensed under a Creative Commons Attribution 4.0 International License.
© CSIC. Manuscripts published in both the printed and online versions of this Journal are the property of Consejo Superior de Investigaciones Científicas, and quoting this source is a requirement for any partial or full reproduction.All contents of this electronic edition, except where otherwise noted, are distributed under a “Creative Commons Attribution 4.0 International” (CC BY 4.0) License. You may read here the basic information and the legal text of the license. The indication of the CC BY 4.0 License must be expressly stated in this way when necessary.
Self-archiving in repositories, personal webpages or similar, of any version other than the published by the Editor, is not allowed.
