«El aguador» de Velázquez o una meditación sóbre la cultura clásica: «Diógenes y los hijos de Xeníades»
DOI:
https://doi.org/10.3989/aearte.1999.v72.i288.779Abstract
Considered traditionally as the best example of Velazquez early «pintura de bodegones», or genre and still life The Water-seller is presented here as a clear representation of the Greek philosopher Diogenes, in his most essential role of mentor of youth. Based on texts of Diogenes Laertius, well known in Spain at the time, Velazquez painted it for Juan de Fonseca, canon «maestrescuela» of Seville Cathedral.
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Published
1999-12-30
How to Cite
Mena Marqués, M. B. (1999). «El aguador» de Velázquez o una meditación sóbre la cultura clásica: «Diógenes y los hijos de Xeníades». Archivo Español De Arte, 72(288), 391–413. https://doi.org/10.3989/aearte.1999.v72.i288.779
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