Francisco de Goya: tres cuadros, tres épocas

Authors

  • José Manuel Arnáiz Association of Art Historians

DOI:

https://doi.org/10.3989/aearte.1997.v70.i280.663

Abstract


The author publishes three works in his opinion belonging to three periods of Goya's activity: The first one The Death of San Francisco Javier is the definitive version based on the "bozetto" now in the Zaragoza Museum which derives from a drawing and canvass by the italian painter Bertucci. The second is The Portrait of Child Pedro Jordan de Urríes, heir of the Marquesado de Ayerbe, as first boom of one of the most aristocratic and rich families of Zaragoza. The third work is a sketch for The Tribunal of the Inquisición now in the Academy of San Fernando with remarkable differences, which raises again the problem of the series of small panels in the Munich Museum. The author includes interesting letters addressed by Matheron to Valentin Carderera asking information about Goya, and reproduce the original text of Goya's letter to Zapater dated of 15th. April 1777, until now homeless.

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Published

1997-12-30

How to Cite

Arnáiz, J. M. (1997). Francisco de Goya: tres cuadros, tres épocas. Archivo Español De Arte, 70(280), 375–395. https://doi.org/10.3989/aearte.1997.v70.i280.663

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Section

Articles