Antonio María Antonozi, ingeniero de las comedias del Buen Retiro (1657-1662). Nuevos datos para la biografía de un inventor de ‘maravillosas apariencias’
DOI:
https://doi.org/10.3989/aearte.2007.v80.i319.43Keywords:
Antonio Mª Antonozi, Cosme Lotti, Baccio del Bianco, Scenography, Buen RetiroAbstract
The author attempts to cover the documentary lacuna, which until now constituted the biography of the Italian scenographer Antonio María Antonozi, a forgotten figure in Spanish historiography, in spite of having played an important role directing comedies in the Real Sitio del Buen Retiro (Madrid) during the final years of the reign of Felipe IV. Likewise, an attempt is made to clarify certain basic questions heretofore incorrectly proposed, but explained in this article, concerning the participation of Court painters in the elaboration of theatrical scenography.
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