A triptych identified by Adriaen Thomasz Key attributed to Antonio Moro in Spain
DOI:
https://doi.org/10.3989/aearte.2010.v83.i329.414Keywords:
Portrait, 16th Century, Flanders, Saint Jerome, Saint ClareAbstract
Study of the two doors of a large triptych with portraits of the donors and patron saints in grisaille, attributed until now to Antonio Moro, have led to the conclusion that for stylistic and technical reasons they were painted by Adriaen van Key, thereby contributing to the amplification of the most recent monograph by J. Jonckheere.
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