La Última Cena y la Ascensión, anverso y reverso de una puerta, atribuidas a Matías de Aguirre

Isabel Mateo Gómez

doi:10.3989/aearte.2010.v83.i329.413

A Last Supper and an Ascension, obverse and reverse of a door attributed to Matías de Aguirre

Authors

Isabel Mateo Gómez

DOI:

https://doi.org/10.3989/aearte.2010.v83.i329.413

Keywords:

Toledo sixteenth century painting, Matías de Aguirre, Cabinet door keeper of processional monstrance

Abstract

Discusses a cabinet door to save a custody and paintings of the Last Supper and the Ascension that are painted on it on the sides: these paintings are attributed to Matías Aguirre.

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Published

2010-03-30

How to Cite

Mateo Gómez, I. (2010). A Last Supper and an Ascension, obverse and reverse of a door attributed to Matías de Aguirre. Archivo Español De Arte, 83(329), 61–68. https://doi.org/10.3989/aearte.2010.v83.i329.413

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Issue

Vol. 83 No. 329 (2010)

Section

Shorter Notes

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