Vicente Salvador Gómez, Alonso Cano y la pintura valenciana de la segunda mitad del siglo XVII

Abstract

In the following pages, we study different unpublished documentation on the saga of valencian painters of last name Salvador. It is, fundamentally, the last will and inventory of goods of Vicente Salvador Gómez,' the contract that he carried out with the Convent of Santo Domingo of Valencia, for the realisation of three paintings on San Vicente's Ferrer life, and other notarial texts related with him, his father Pere and his brother Luciano that will allow us to better understand the biography and the pictorial work of this family of artists. In addition, the fact of having located the one mentioned inventory, dated after the purchase that Vicente Salvador made of the belongings left by Alonso Cano in the Chartreuse of Portacoeli of Valencia, will give us the opportunity to know, in some measure, the goods that Cano possessed in 1645, arnong them his library that, for the first time, it is published. Finally, with the study of several of Vicente's Salvador drawings we will be able to determine some og his labour bonds with the Madrid nobility, as well as to support the theory of his possible trip to Italy.