Lo múltiple en Alonso Cano escultor
DOI:
https://doi.org/10.3989/aearte.2001.v74.i296.369Abstract
In the following study, Alonso Cano's polifacetic activity is approached from the point of view of his work as sculptor, focusing on the manyfold connections among his ideas on plastic art which are displayed in his sculptures, paintings, architecture and drawings. Instead of providing a detailed account of the differences between Cano as sculptor and Cano as painter or architect, the author aims to show what is common in his creations, considering these as «multiple» though being the outcome of one individual's concept and making. Besides that, new ascriptions corresponding to his Granadian period are brought to come to a final proposal for a catalogue of Cano's sculptoric work.
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