Antonio «de Malinas», un escultor de los Países Bajos en la España del Renacimiento

Felipe Pereda

doi:10.3989/aearte.2004.v77.i306.244

Antonio «de Malinas», un escultor de los Países Bajos en la España del Renacimiento

Authors

Felipe Pereda Universidad Autónoma de Madrid

DOI:

https://doi.org/10.3989/aearte.2004.v77.i306.244

Keywords:

New Cathedral of Salamanca, Anthonis van Mansdale III, Low Countries, Sculpture, Renaissance, 16th Century

Abstract

The construction of the New Cathedral of Salamanca attracted an important group of sculptors to the city on the Tormes, among vv^hom the names of various artists from the Low Countries stand out. Thanks to the ledgers documenting the building, it has been possible to identify the significant work of a certain Antonio "de Malinas," whose Spanish biography coincides well with the documentary information we have for Anthonis van Mansdale III, known as Keldermans, a sculptor who left his native city around 1516-17, returned there briefly in 1523, and seems to have died shortly afterwards, during his return voyage from Spain.

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Published

2004-06-30

How to Cite

Pereda, F. (2004). Antonio «de Malinas», un escultor de los Países Bajos en la España del Renacimiento. Archivo Español De Arte, 77(306), 139–157. https://doi.org/10.3989/aearte.2004.v77.i306.244

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Issue

Vol. 77 No. 306 (2004)

Section

Articles

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