The critic Enrico Crispolti and the Spanish informalist painters (Saura, Millares and Canogar)
DOI:
https://doi.org/10.3989/aearte.2022.08Keywords:
Saura, Millares, Canogar, Art Informel, art criticism, Venice Biennial, El PasoAbstract
This article proposes a study of the relationships between the art critic Enrico Crispolti and the informalist painters Antonio Saura, Manolo Millares and Rafael Canogar. The foundations of this study are, on the one hand, the contents of the (unpublished) correspondence between them and, on the other, the critic’s analysis of the work of these artists.
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References
Amón, Santiago (1978): "Conversación con Antonio Saura sobre «EL Paso»". En: El País, 15-01-1978, p. VII.
Crispolti, Enrico (1958): "La XXIX Biennale. Arte nuova in Spagna". En: Notizie. Arti Figurativi, 2, 6, Turín, pp. 16-22.
Crispolti, Enrico (1959): Rafael Canogar. Madrid: Colección del Arte de Hoy, 4.
Crispolti, Enrico (1960): El Paso. Seis litografías de Canogar, Chirino, Millares, Rivera, Saura y Viola. Roma: Galería L'Attico.
Crispolti, Enrico (1962a): Saura. Roma: Galleria Odyssia.
Crispolti, Enrico (1962b): "Per un'immagine nuova: Canogar". En: Nostro Tempo, 116, Nápoles, pp. 13-14.
Crispolti, Enrico (1963): "Millares". En: AA.VV.: Pintores Célebres, Barcelona: Gustavo Gili, pp. 186-187.
Crispolti, Enrico (1964): "Notas sobre la pintura de Millares". En: Millares, Buenos Aires: Museo de Arte Moderno, s/p.
Crispolti, Enrico (1968): Richerche dopo l'informale. Roma: Oficcina Edizione.
Crispolti, Enrico (1970): Pittura d'avanguardia nel dopoguerra in Europa. Forlì: Fabbri Editori.
Crispolti, Enrico/Castaño, Adolfo (1991): Canogar: obra reciente sobre papel. Madrid: Galería Bat.
Crispolti, Enrico (1992): "Una terca investigación de la imagen del hombre contemporáneo en su verdad existencial". En: AA.VV.: Manolo Millares, Las Palmas: Centro Atlántico de Arte Moderno, pp. 34-36.
Crispolti, Enrico (1993): "El realismo matérico de Millares". En: Atlántica, 5, Las Palmas de Gran Canaria, pp. 53-56.
Crispolti, Enrico (2001): Cómo estudiar el arte contemporáneo. Madrid: Celeste Ediciones.
Crispolti, Enrico (2015): "L'opzione informale nel convegno del 1954". En: Saggi e Memorie di storia dell'arte, 39, Venecia, pp. 158-165.
Crispolti, Enrico (2018) : L'Informale. Europa. Origini e primi svolgimenti (1940-1951). Roma: De Luca Editori d'Arte [1ª ed. en 1971].
Weber-Caflisch, Olivier (ed.) (2009): Antonio Saura por sí mismo. Barcelona: Lunwerg Editores.
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