Mateo Cerezo, dibujante
DOI:
https://doi.org/10.3989/aearte.2000.v73.i290.817Abstract
Among the less well-known aspects of Mateo Cerezo production he is that of their work like designer without a doubt. The present article analyses in depth this facet, showing its graphic techniques with the pencil (I last and fatty) and the similarities of its style with that of Carreño, until the point that some of its drawings have been attributed to its governor previously. Based on this it thinks about the disjunctive Carreño-Cerezo putting in cloth of trial works previously attributed to the teacher like the semi-nude Christ and the San Stigmatised Francisco, of the Museum of the Prado. Also they are attributed with some certainly to Cerezo preparatory models, patterns of heads, bodies and figures that show the continuous use of the pencil in the preparation of their canvases.
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