De zarzas toledanas (Correa, El Greco, Maíno)
DOI:
https://doi.org/10.3989/aearte.1998.v71.i282.691Abstract
The author refutes Richard G. Mann's thesis about the origin in the beato Alonso de Orozco's texts of the burning bramble iconography that appears in the Annunciation Greco's of the Colegio of Doña María de Aragón, and alludes to other examples of the biblical image's use in the toledane painting in relationship with the Uturgy. He also remarks that one of the paintings recorded by the Greco was the Incarnation from Tiziano for San Salvador of Venice.
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