Dibujos y grabados en el proceso creador de Fernando Yáñez
DOI:
https://doi.org/10.3989/aearte.1997.v70.i278.634Abstract
The meaning of some of the drawings and engravings in Fernando Yáñez's work is widely analyzed. Some of drawings, published by Dominique Cordellier and conserved in the Louvre, as well as in Berlin Museum (Kupferstichkabinett), is the matter of this study. Likewise the original designs by Antonio del Pollaiolo and Pietro Perugino, that had been copied down by Yáñez and other painters belonging to his own art circle, or merely by some other of his contemporary artists, are examined.
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