Flandes, Portugal y Toledo en la obra de Luis de Morales. Las Vírgenes gitanas o del sombrero
DOI:
https://doi.org/10.3989/aearte.2007.v80.i317.30Keywords:
Morales, Formation, Virgin of the Hat, unpublishedAbstract
A attempt is made to deepen our understanding of the diverse pictorial influences that went into the formation of the style of Luis de Morales: emphasis is placed on the Flemish, Portuguese and Toledan schools. Unpublished panel paintings are presented and suggestions are offered for the source of the iconography of the Virgins of the Hat or gypsies.
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