El Lignum Crucis de la catedral de Sevilla: nuevos datos para su interpretación a la luz de los documentos
DOI:
https://doi.org/10.3989/aearte.2003.v76.i301.298Keywords:
Seville, Cathedral, silver work, fourteenth centuryAbstract
The exceptional gold and silver work of art known as the Lignum Crucis from Seville Cathedral, dating from the second half of the fourteenth century, has always been considered to be a unitary piece, donated to the cathedral in 1389. Now, however, based on both stylistic analysis and documentation, it can be concluded that it is actually composed of three different parts and that they were joined during the first half of the sixteenth century.
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