Un nuevo catálogo pictórico del Quattrocento italiano: la tabla de Camerino y el desaparecido ciclo jacobeo de Giovenale de Orvieto en Araceli

Rosa Vázquez Santos

doi:10.3989/aearte.2008.v81.i322.105

A New Pictorial Catalogue of the Italian Quattrocento: the Camerino Panel and the Lost Cycle of St. James by Giovenale of Orvieto in Araceli

Authors

Rosa Vázquez Santos Investigadora Parga Pondal de la S. A. de Xestión do Plan Xacobeo

DOI:

https://doi.org/10.3989/aearte.2008.v81.i322.105

Keywords:

Iconography of St. James, Miracle, Camerino, La Spezia, Rome, Santa Maria Araceli, Giovenale of Orvieto, Miguel Erce Jiménez

Abstract

This study proposes a combined solution to two problems: the attribution of an altar panel from the Museo Diocesano of Camerino and the hagiography of the mysterious “miracle of the knight covered with shells” in this painting. The documentary sources related to the art, cult and iconography of Saint James the Great in Rome, in particular the descriptive work of Miguel Erce Jiménez, allow us to connect this panel with the lost altarpiece in Santa Maria Araceli by Giovenale of Orvieto, thus becoming the first picture in his catalogue. At the same time, these sources lead us to the Portuguese origin of the iconography of this miracle.

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Published

2008-06-30

How to Cite

Vázquez Santos, R. (2008). A New Pictorial Catalogue of the Italian Quattrocento: the Camerino Panel and the Lost Cycle of St. James by Giovenale of Orvieto in Araceli. Archivo Español De Arte, 81(322), 105–114. https://doi.org/10.3989/aearte.2008.v81.i322.105

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Issue

Vol. 81 No. 322 (2008)

Section

Articles

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